In order to become oneself, a person must endure quite a tough competition with various entities that also want to become them. Unfortunately, this is not a joke or a metaphor, but an accurate statement that, however, requires some commentary.

When there is no love in life, there is no life.

Any periodically repeated sequence of a person's actions (both in the external and internal world), which transitions to some extent into habit and automatism, forms a subconscious program that governs this automatism, and simultaneously brings to life a certain entity or figure in the subtle world, which arises around a person every time the corresponding subconscious program is activated.

Below, we will examine seven characteristic figures (commonly referred to as demons) that are mostly located behind a person and feed off the person's life forces during the activation of various harmful habits and behavioral patterns. Additionally, the personal subconscious programs characteristic of society as a whole collectively form large, archetypal subtle figures that create and invoke the corresponding individual subtle figures of separate people. Thus, each person has two sets of subtle entities that regularly appear around them and directly influence them: the first set consists of figures created personally by them and unique to them, while the second consists of social figures imposed on them by the social egregore through channels connecting that person with society. Personal figures consume part of the person's life force and memory, giving a certain percentage to higher beings, and those higher beings to even higher social entities. For completeness, it should be noted that there are also subtle bodily crocodiles that parasitize the subtle bodies of a person: astral, mental, and so on.

Here, the author of the website would like to point out that there are many astral entities similar to the "Subtle Seven." They can be regarded as teachers and saviors. By redirecting life force channels to themselves (from 10% to 90%), they drain a person during their erroneous actions. Such draining can, in extreme cases, even reach the point where the individual cannot leave their home. This way, the person avoids making foolish mistakes and harming their physical health, fate, or surrounding space.

But this is not where it ends. The attached entity (which can also be a light angel) begins to further educate and train the person, provoking and tempting them into further erroneous (or conversely, correct) actions or thoughts. Sometimes it even takes control of their behavior. In this way, the entity acquires part of the person's strength, experience, and memory to earn for its future incarnation. This process of connection continues until the individual often realizes through pain, discomfort, and problems in their fate that they need to understand and transform their imperfect subconscious program and become more independent.

In contrast to the "Subtle Seven," three subtle entities are attached to a person (one could say in front of them): a loving soul, an informing angel, and a personal demon (about them on the fourth page). These entities correspond to much deeper subconscious programs than the vanity, egoism, and so on of the subtle seven. Their assistance, due to its unobtrusive ethics, considering the context of "freedom of will," often goes unnoticed by the person themselves.

The Subtle Seven

The Gray Man (parasitizes on the sexual chakra) corresponds to subconscious programs that induce depression, skepticism, doubt, and despair in a person. The Gray Man is indifferent. He absorbs any emotions, enthusiasm, initiative, and energy completely without changing at all, except perhaps growing in size and affirming his life position, which corresponds to a point of assembly from which the world is seen as half a lifeless desert and half a foul swamp.

The Gray dulls tools, creates spherical and chromatic aberrations in camera lenses, accumulates rounding errors in computers, and causes joints to creak by preventing the secretion of synovial fluid. Emotional fatigue with a taste of hopelessness is often a direct result of his influence. It forces a person to lower their concentration and lose contact with the egregore and the tool. The internal cynicism of the Gray and his disrespect for the world and humanity allow mediocrity and dullness to penetrate the results of the creator's activities, which triumph so obviously and mercilessly that it seems impossible to defeat them.

The next figure, probably the most complex to understand and manage, is the Serpent, or, judging by the role it most often takes on, a cynic and comic. The Serpent’s main weapon is irony, which it uses in two ways: firstly, to profane any serious and lofty aspirations of a person (mockery of ideals), and secondly, to divert the owner's eyes from threats that the Serpent also depicts as trivial, preventing the person from assessing and preparing for them accordingly. The main quality of the images the Serpent creates is irrelevance, which often produces a comedic effect, relieving tension and lowering concentration. The Serpent's task is for the person to shrug it off and stop perceiving the most responsible situations as serious.

As is customary, the Serpent jests, pretending to be all the tools in turn, but especially the enema tube, which it presents as a communication channel with the egregore and the person represented by their anus. But jokes aside, strong embarrassment is also one of its tricks, and sudden inability to control one's hands, not to mention tools, and even muscle spasms—these are often consequences of its activity. From time to time, provoking a typist to make a terrible typo, causing all editors to overlook it, is not so much a pleasant duty as a direct obligation.

The Black Man of Aggression (parasitizes on the solar plexus center) is created by a subconscious program that manages a rigid defense against the external world and sometimes against attacks on one's ego from within, for example, from the programs of duty or conscience. He usually wears a black cloak or a strict suit, is unfriendly, and very reluctantly shows his face and especially his eyes. Their usual expression is distrust and irreconcilability.

The Black often creates excessive self-confidence in a person, which results in the complete closure of the communication channel with the egregore. A person feels strong enough to work "on their own," that is, to transmit and materialize the flow of the egoic egregore—leading to amateurism in the worst sense of the word. In general, a direct feeling of strength and self-confidence at the moment of work are clear signs that a person is serving a rigid egregore. A true creator is never fully confident in themselves, their tools, or the level of what they achieve. The power behind them and their creations is felt by others, but not by themselves, at least not at the moment of work. Inner freedom and doubt in the choice of specific details are eternal companions, and the Black tries to deprive a person of both. Even a tram handle should be grasped carefully.

The Gray is nothing like the Black: as much as the former is collected, the latter is diffuse and poorly defined.

The Yellow Man of Deception and Self-Deception (parasitizes on the heart center) is created by subconscious programs that systematically distort a person's external and internal reality, or, in other words, shift their point of assembly into an ethically unacceptable area. Of course, distortions vary, and each meditation and indeed any new way of seeing refracts the world in consciousness and subconsciousness each time in its own way, but there are still some positions of the point of assembly that either narrow the field of vision of the world so much or distort this vision to such an extent that, upon returning to their normal state, a person denies their former way of seeing, saying that they were blinded, that they somehow "accidentally didn't notice what they were supposed to see", "understood what was happening completely incorrectly", and so on.

The Yellow tries to subtly shift the point of assembly so as to lower the level of materialized vibrations of the egregore. When a person transmits information to the egregore, the Yellow tries to distort it as much as possible to mislead both (the person and the egregore): the writer begins to write a tragedy but ends up with a cliché melodrama; the believer prepares for fasting and repentance, but ends up playing mental games with their own ego; the tightrope walker loses confidence in themselves and balance... — all these are examples of the Yellow's successful tricks.

во многом напоминает The Yellow closely resembles the Gray, and for many people, they form a kind of tandem, in the form of a gray-yellow mist swirling at their feet and periodically rising above their heads—a true torment for the psychotherapist.

The Hasty One (parasitizes on the throat chakra) represents a being that is in every way the opposite of the Gray, but in fact, their goals are similar — namely, to stop the flow of energy and any constructive activity of the person.

The main goal of the Hasty One is to increase the rhythm of a person's inner life and external activity. Their motto: "Faster, guys, or we won't make it," and what exactly we won't make it for is completely unimportant; the main thing is to not stop for a second. The Hasty One participates in any active activity of a person, whether it be physical work, thought processes, or speech. At the same time, one of their most important postulates is that results must be obtained immediately; otherwise, the action is ineffective, and the rhythm must be increased. "Must" is one of the Hasty One's favorite words, and there is no time to understand why and for what reason it is necessary.

Any slowing down, as well as speeding up of work, must be aligned with the specified external rhythms, from which the Hasty One tries in every way to distract the person. "Your work has slowed down," they chatter, "and in any case, it is not fast enough — hurry up, move all the wheels, gears, and drums, or, even better, switch to something new, for example, you urgently need to..." — and the Hasty One will suggest at least five more completely urgent tasks to the owner.

TheHasty One is one of the main enemies of the master. They do not let the master finish, that is, listen to the egregore to the end, and, what is equally important, provide the egregore with all the necessary information, about which the latter sends a special signal to the person: "Thank you, that's enough." Instead, the Hasty One begins to chatter: "Well, that's enough, it's all clear already," and does not let, for example, the psychologist listen to the client when they are just beginning to say things that are truly significant for themselves.

The Hasty One is easily recognized by how a person handles tools — quickly and carelessly tossing them into a bag or placing them slowly and carefully.

The next figure (parasitizing on the "third eye") is created by lunar consumption programs of all kinds — this is the Pig of Egoism. Like all other figures, it has two channels of invocation: from the person themselves (the owner) and from the archetypal Great Pig, created according to societal ideas about the necessary, natural, and desirable limits of consumption for a social individual. Additionally, the Great Pig has a direct invocation from the Fokerm.

The individual Pig of Egoism is predominantly formed by the person themselves and the specific social stratum in which they operate, and the influence of the Great Pig on personal Pigs is much less individualized than, for example, the influence of the Yellow King on specific Yellow figures: if the Yellow figures differ greatly from one another, the Pigs of people from the same social strata are often very similar: some prefer the Ukrainian version of the Pig, under the motto "the more fat, the tastier", while more cultured people tend to lean towards English bacon, trying to alternate layers of material and spiritual needs.

The Pig will hinder concentration on work simply because concentration, that is, maintaining the point of assembly in connection with the high egregore, is difficult, requiring significant effort. Furthermore, it may, for example, tempt a person to neglect their tools, even their bodies, in which it seems to have no interest. But one should not forget that it is ultimately invoked by the Fokerm, and therefore expecting consistency from the Pig would be futile: it is typical for it, for example, to compel a person to eat delicious but inherently harmful food that will cause severe stomach pain within an hour (not to mention smoking and other vices).

The last figure is the Dragon of Personal Self-Assertion. Like all other subtle figures described in this chapter, the Dragon is socially induced, meaning the need for personal self-assertion is inherent to a person precisely as a social individual, but not as a spiritual entity.

Nevertheless, society, at least in its current form, requires its members to possess ambition and strive for social disclosure of their personality. This is one way to compel a person to work for the benefit of society. The thirst for social recognition, the desire to gather the maximum number of signs of love, attention, and reverence, the desire for glory — these seeds, sown by the social egregore, cause a person's subconscious programs to bring to life the Dragon of Self-assertion.

The Dragon can activate any of its heads. The searching head will begin to look for someone who will adequately appreciate the perfection of the person's work operations—and the person will immediately get distracted, lose their connection channel, make a mistake in movement — and the engraving is spoiled. The proud head will think to itself: "How wonderfully I work", — and the lathe operator's hand will tremble. The insecure head will whisper to the pendulum master: "Where can you determine such subtleties?"

A large, well-fed Dragon, on which the owner comfortably sits, means that the person has revealed their personality to society and received full approval — this is the variant of a popular artist.

The level of the demons' power over a person and their current state can be assessed by their sizes. For example, let’s take the Black:

• The Black stands at some distance behind and is of normal height — this is a normal position;
• The Black is shorter than the person but stands in front and gestures slightly — socially acceptable aggression; waving fists — exceeding social boundaries;
• The Black stands behind the person, taller than them, and holds their hands on their shoulders, or worse, on their throat — a partial role reversal. Then the person listens to the Black against their will and ethics. For example, periodically uncontrolled outbursts of rage or quasi-epileptic seizures of "hysterical" origin;
• The Black has completely absorbed the person, to the point where the person’s face is barely visible. This person is a puppet of a rigid aggressor and is practically devoid of their will — fanatics, aggressive antisocial elements, periodic visitors to psychiatric hospitals;
• The Black is very tall, completely absorbs the person, so they are poorly visible, and has a clear channel to the Black King — completely antisocial individuals, maniacs, total lunatics, though not necessarily violent — there can be a variant of all-consuming horror before the world.

Many diseases are clearly related to the accentuation of one of the seven subtle figures and their penetration into the human being, and here the author, apologizing for intruding into the professional medical egregore, would like to provide some examples:

Diseases of the Dragon — ulcerative disease, vegetative-vascular dystonia;
Diseases of the Pig — atherosclerosis, gout, kidney stones, and gallstones;
Diseases of the Hasty One — thyrotoxicosis, tics, neuroses, Parkinson's disease;
Diseases of the Yellow — allergies, diabetes, metabolic disorders;
Diseases of the Black — migraines, hypertension, heart attacks, strokes;
Diseases of the Serpent — impotence, ovarian dysfunction;
Diseases of the СерогоGray — asthenia, osteochondrosis, radiculitis, arthritis.